Dee in everyday use essay

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Ho spent the summer in Paris trying to lock in the agreement, but the French government was purposely evasive, as it was conspiring to undermine Vietnamese independence.  Ho was nevertheless well received in the French media.  A French reporter who met him noted his “engaging manner and extraordinary gift for making contact,” which “at once brought a warm and direct exchange of views and gave a startlingly fresh ring to commonplace words.” [25]   Ho returned to Vietnam in October and appealed to the Vietnamese people for patience.  The French, however, showed their hand on November 22, 1946.  Using a dispute over control of customs in Haiphong as a pretext, French warships bombarded the unprotected port city, killing at least 6,000 and wounding some 25,000.  On December 19, Ho issued a call for “nationwide resistance”:

2. Chicago May Day '86: organize "religious" procession for Haymarket "Martyrs"--huge banners with sentimental portraits, wreathed in flowers & streaming with tinsel & ribbon, borne by penitenti in black KKKatholic-style hooded gowns--outrageous campy TV acolytes with incense & holy water sprinkle the crowd--anarchists w/ash-smeared faces beat themselves with little flails & whips--a "Pope" in black robes blesses tiny symbolic coffins reverently carried to Cemetery by weeping punks. Such a spectacle ought to offend nearly everyone .

Mama tells Dee that she can have a set of newer quilts but Dee objects. Mama insists that the quilts will go to Maggie who will use them after she gets married. Wangero becomes incensed that her much less sophisticated sister will put the quilts to “everyday use”. Finally we see that even Mama has a breaking point. Much like her daydream about the Johnny Carson Show, whatever hopes that Mama might have had of re-connecting with her daughter become the stuff of fantasy. Mama can no longer endure Dee's shaming. In Mama's first real act of dissent, Mama tells Dee to take one or two of the other blankets if she wishes and walks out of the house. Walker concludes her characterization of Dee with a final insult veiled as advice: she tells Mama that, “you just don’t…understand your heritage.” (96) This passive aggressive mockery is extended to Maggie as well when Dee tells her to “make something of herself.” Of course, Mama understands her heritage is more than symbols or artifacts, but of the context of family that created them. Tradition cannot be boiled down to a decorative object; it is still living and breathing, in Mama and Maggie.

Dee in everyday use essay

dee in everyday use essay

Mama tells Dee that she can have a set of newer quilts but Dee objects. Mama insists that the quilts will go to Maggie who will use them after she gets married. Wangero becomes incensed that her much less sophisticated sister will put the quilts to “everyday use”. Finally we see that even Mama has a breaking point. Much like her daydream about the Johnny Carson Show, whatever hopes that Mama might have had of re-connecting with her daughter become the stuff of fantasy. Mama can no longer endure Dee's shaming. In Mama's first real act of dissent, Mama tells Dee to take one or two of the other blankets if she wishes and walks out of the house. Walker concludes her characterization of Dee with a final insult veiled as advice: she tells Mama that, “you just don’t…understand your heritage.” (96) This passive aggressive mockery is extended to Maggie as well when Dee tells her to “make something of herself.” Of course, Mama understands her heritage is more than symbols or artifacts, but of the context of family that created them. Tradition cannot be boiled down to a decorative object; it is still living and breathing, in Mama and Maggie.

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