Despite his borrowing from other sources, perhaps in large quantities, the Beowulf poet nonetheless manages to add his own specialized view of his characters' world. First and foremost, Beowulf's author is a Christian, and he makes the Christian world extremely visible. He alludes to Cain and the Flood; he shows the Christian God's influence upon the pagan world of the Danes. Yet he is obviously aware of his culture's pagan past and attempts to describe it in great detail through rituals, such as the elaborate Germanic sea-burials and the grand feasts in the mead-halls, and the ever-present belief in fate. Thus Beowulf's poet tries to recreate the past of his people for his people, almost with a nostalgic feeling for the bygone pagan days.
The poem contains two examples of mead-halls: Hrothgar’s great hall of Heorot, in Denmark, and Hygelac’s hall in Geatland. Both function as important cultural institutions that provide light and warmth, food and drink, and singing and revelry. Historically, the mead-hall represented a safe haven for warriors returning from battle, a small zone of refuge within a dangerous and precarious external world that continuously offered the threat of attack by neighboring peoples. The mead-hall was also a place of community, where traditions were preserved, loyalty was rewarded, and, perhaps most important, stories were told and reputations were spread.