Enter ROMEO and JULIET above, at the window
Wilt thou be gone? it is not yet near day:
It was the nightingale, and not the lark,
That pierced the fearful hollow of thine ear;
Nightly she sings on yon pomegranate-tree:
Believe me, love, it was the nightingale.
ROMEO It was the lark, the herald of the morn,
No nightingale: look, love, what envious streaks
Do lace the severing clouds in yonder east:
Night's candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops.
I must be gone and live, or stay and die.
JULIET Yon light is not day-light, I know it, I:
It is some meteor that the sun exhales,
To be to thee this night a torch-bearer,
And light thee on thy way to Mantua:
Therefore stay yet; thou need'st not to be gone.
ROMEO Let me be ta'en, let me be put to death;
I am content, so thou wilt have it so.
I'll say yon grey is not the morning's eye,
'Tis but the pale reflex of Cynthia's brow;
Nor that is not the lark, whose notes do beat
The vaulty heaven so high above our heads:
I have more care to stay than will to go:
Come, death, and welcome! Juliet wills it so.
How is't, my soul? let's talk; it is not day.
JULIET It is, it is: hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;
This doth not so, for she divideth us:
Some say the lark and loathed toad change eyes,
O, now I would they had changed voices too!
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt's-up to the day,
O, now be gone; more light and light it grows.
ROMEO More light and light; more dark and dark our woes!
Enter Nurse, to the chamber
Finally, Shakespeare introduces the contrast between silver and gold in this act through his use of imagery. Romeo says, "How silver-sweet sound lovers' tongues by night" and "Lady, by yonder blessed moon I vow, / That tips with silver all these fruit-tree tops" (, 149-50). Shakespeare often employs silver as a symbol of love and beauty. On the other hand, he uses gold as a sign of greed or desire. Rosaline is immune to showers of gold, an image that evokes the selfishness of bribery. Later, when Romeo is banished, he comments that banishment is a "golden axe," meaning that his punishment is merely a glossed- over equivalent of death. And finally, the erection of the golden statues at the end a sign of the fact that neither Capulet nor Montague has really learned anything from Romeo and Juliet's deaths.
In the city of Verona, two families have a prolonged and ancient feud. The Montagues and the Capulets co-exist under the stern eye of the Prince, but the hatred between the families threatens all, in particular the children. The young men of both families are hot-blooded and ready to fight at any provocation, despite the Prince's edict against such fights. But when young Romeo, a Montague, first sets eyes on the virginal Capulet daughter Juliet, no enmity between families can prevent his falling in love with her, and her with him. From this risk-laden romance comes both joy and tragedy for all. Written by Jim Beaver <[email protected]>