Although the film had so many directors (including Michael Powell , two Kordas and Menzies), it seems the work of one vision and that must have been Korda's. It remains one of the greatest of fantasy films, on a level with "The Wizard of Oz." To see either film is to see the cinema incorporating every technical art learned in the 1930s and employing them to create enchanting visions. Today, when dizzying CGI effects, the Queasy-Cam and a frantic editing pace seem to move films closer to video games, witness the beauty of "Thief of Bagdad" and mourn.
A character remembering their true name may be an important means of maintaining mastery of their own life. In Hayao Miyazaki 's movie Spirited Away , the witch who runs the bathhouse, Yubaba, ensures loyalty by stealing the names of her subjects. For example, one of the witch's most loyal subjects, the spirit of the Kohaku River, has his name taken and is given a slave name: Haku. He forgets his name, and it is in this way 'taken' from him; he warns Chihiro Ogino against the dangers of forgetting her own name. She frees him when she recognises him and he then remembers and 'takes back' his name and is freed from the clutches of the witch.